Every design in the catalog is checked before it ships, and the check is deliberately the crude one: put it in front of a real browser, with a real account behind it, and see whether a complete page comes back.
If you have audio on your account, it reaches your website. That is true on every design in the catalog, which matters more for some actors than others: for a voice actor the audio is not a supporting detail, it is the product.
Everything a visitor reads on your website is drawn from your account. Your name, your bio, your location, your credits, your contact route.
An embedded video is the single heaviest thing most actor websites carry, and almost all of that weight is spent before anybody watches anything.
Web fonts are now served from our own delivery network rather than requested from a third-party font service.
The mobile menu on every design has been rebuilt. It is smaller, it opens faster, and the last item is no longer below the bottom of the screen.
Cards now appear in the bottom right of the admin, each carrying a design worth a look and a button that takes you to it.
A pass over every design in the catalog for weight and request count. The typical page is now around a fifth of what it was.
A design in the catalog is a purchased theme with your account wired into it. That wiring is the work.
Most designs in the catalog begin life as a purchased theme. A theme is a set of HTML pages with a stylesheet, sold to whoever wants it, and in that state it is not a design you could use.
You tap a photograph in a gallery and it opens full size, with the rest of the set behind it.
A resume on paper is one page with everything squeezed onto it. A resume on a website is a set of sections, each of which can be as long as it needs to be, and each of which a design can place where it makes sense.